Sir Robin of Locksley (Errol Flynn), defender of downtrodden Saxons, runs afoul of Norman authority and is forced to turn outlaw. With his band of Merry Men, he robs from the rich, gives to the poor and still has time to woo the lovely Maid Marian (Olivia de Havilland), and foil the cruel Sir Guy of Gisbourne (Basil Rathbone), and keep the nefarious Prince John (Claude Rains) off the throne. Directed by Michael Curtiz of Casablanca, Mildred Pierce and scores of other films from 1912 to 1961 (173 films in all). "When this is over, my friend, there'll be no need for me to come again." (1938)

On the day he gets married and hangs up his badge, lawman Will Kane (Gary Cooper) is told that a man he sent to prison years before, Frank Miller, is returning on the noon train to exact his revenge. Having initially decided to leave with his new spouse, Will decides he must go back and face Miller. However, when he seeks the help of the townspeople he has protected for so long, they turn their backs on him. Kane will have to face Miller and his gang alone. "Don't try to be a hero! You don't have to be a hero, not for me!" (1952)

Billie (Jayne Mansfield) and Kristy lead a gang of armed robbers who steal from banks, armored cars, and the like. When Billie's lover, Jim (Anthony Quayle), gets caught by the police after stashing a large amount of money, they wait for him to get out of jail. He does and has to deal with both the police and his ex-gang as they both need him to get what they want. Written and directed by pulp film master John Gilling (of The Shadow of the Cat, The Mummy's Shroud and about 45 other crazy titles). (1960)

As the Allied forces approach Paris in August 1944, a German Colonel is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable artworks even as the chaos of retreat descends upon them. The station master, Labiche (Burt Lancaster), is tasked with scheduling the train and making it all happen smoothly. Hold on a second though - he is also part of a dwindling group of resistance fighters trying to prevent the theft! He and others stage an elaborate ruse to keep the train from ever leaving French territory. "Why not? What can they lose? This morning we had four men left in this group. Now we have three. One, two, three." Directed by John Frankenheimer. (1964)