Denise (Anne Hathaway) and Greg Platt (Ewan McGregor) are a husband and wife raising their two children in the 1980s. After a cosmic event transports their quiet suburban neighborhood to someplace unknown, the Platt family bands together to navigate their new surroundings.

The End Of Oak Street is written and directed by David Robert Mitchell (It Follows and Under The Silver Lake) who strives to connect “the average and mundane” with something fantastical. The film delivers a truly unique premise in a fashion that’s warmly recognizable, enough to lull you into a false sense of security so that Mitchell can surprise and shock you with the movie’s rougher edges.

When Lord Murashige Araki (Masahiro Motoki) rises up against the tyrannical Nobunaga Oda (Bando Shingo), he finds himself besieged within the walls of his own castle. Isolated, he is confronted with a series of mysterious crimes that shatter the fragile order of his court. Helped by his wife Chiyoho (Yuriko Yoshitaka) and his most loyal generals, Murashige must uncover the truth before the castle falls.

Adapting Honobu Yonezawa’s novel, Kurosawa has made one of his best films. It feels a bit like Agatha Christie, Shakespeare, and even Samurai Columbo. It’s got big ideas and riveting performances, but it’s nothing without the genre-boundless acumen of its creator.

Two aimless young women (Kristen Stewart, Alia Shawkat) inadvertently gain telepathic abilities after ingesting an experimental drug, pitting them against dangerous rivals pursuing the same powerful substance.

Director Dylan Meyer says the film is “a love letter to wayward chaotic women and the essential platonic partnerships that prop them up. The Wrong Girls may feature giant squids, Danish hitmen, talking cats, and supernatural abilities, but the emotional story and stakes are pure memoir.”

A 19-year-old Anthony Bourdain (Dominic Sessa) travels to Provincetown and stumbles into the chaotic world of a restaurant kitchen, setting off a summer that will shape the course of his life.

Tony is true to the person Bourdain was and was becoming: a charmer, a troublemaker, a middle-class Jersey refugee with some serious demons, an aspiring writer with an extraordinary gift of gab, a sweet kid, a hustler, and an asshole. The movie shows you that there’s a Zen to the kitchen, and that all of life can grow out of that. It’s about how he finds himself by crawling out of himself. The kitchen wounds him, heals him, and becomes his crucible of faith.

A young pilot, Hig (Jacob Elordi) and military survivalist, Bangley (Josh Brolin) have carved out an efficient but isolated homestead in a brutal post-apocalyptic world. A mysterious radio transmission spurs Hig and his dog to venture into the unknown in search of the hope and humanity he still believes exists.

Ridley Scott's adaptation of Peter Heller's 2012 novel is a riveting, epic thriller set in a world where survival is instinct, but humanity is a choice.

After all of the products made by ACME Corporation backfire on Wile E. Coyote, in his pursuit of the Road Runner, he hires an equally-unlucky human attorney (Will Forte) to sue the company. When Wile E.'s lawyer finds out that his former law firm's intimidating boss is ACME's CEO (John Cena), he teams up with Wile E. to win the court case against him.

Coyote vs. ACME re-frames Wile E. Coyote as the embodiment of perseverance in the face of failure. The live-action/animation hybrid captures the spirit of Who Framed Roger Rabbit and Space Jam. The tone of the film is all in service of a story that is consistently funny, charming, and emotionally satisfying. An all-around crowd pleaser.