After a debt-collector (Trey Holland) finds a portal to hell in a washing machine at his local laundromat, he’s propositioned into feeding hell sinners to save his neighbor’s soul, maybe even at the expense of his own.

In the director’s own words, “Everyday we encounter evil. Maybe not a demon or an axe murder, but the low-grade hum of evil. There's no difference between allowing those evils to persist and allowing a portal to hell to exist. The story follows a guy who’s just weird enough to do something about one of those evils. That is the person I wish more of us were.”

When fresh-faced Elliot (Cooper Hoffman) lands an exciting job for renowned artist, icon and provocateur Erika Tracy (Olivia Wilde), his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.

Bolstered by fiercely committed performances, this film is an uninhibited, audacious examination of sexuality and desire that leaves you wanting more.

A forgotten Peter Parker (Tom Holland) lives alone as a full-time Spider-Man until mounting pressure triggers a dangerous change and a powerful new enemy emerges.

Brand New Day feels like a detective movie, with the titular hero trying to solve a mystery. The film delivers on action and adventure while maintaining the audience’s undying empathy and appreciation for these timeless characters. Holland has high praise for this latest installment, stating it is “the best Spider-Man movie that we've ever made.”